Well, finally! We at last have something to show you for all the efforts and learning, the mistakes and horrible designs, and the stunted experiments in game mechanics. You guys have been very cool about this little diversion of ours, so thanks for all the input and playtesting, the patience, and interest.
Here’s how this whole thing went down:
Nov 2017: Dude, I just wanted to play Dungeons & Dragons with my family for my birthday! I told you about it here. We popped into a gaming store (the Geekery!) to pick up some miniatures since I hadn’t done anything like that in decades. I saw some guys playing the tabletop wargame, Warmachine, and I was hooked.
I started learning to make terrain and assemble and paint miniatures. Learned the rules. Discovered Warhammer40K and Malifaux, a couple of other wargames. Then I picked up Magic: The Gathering and nagged the kids and wife into some after-dinner games. It’s like your mind explodes open when you go deep on this sort of pastime, seriously. I had no idea.
Feb 2018: By February, I was tooling on this notion of what I’m calling an Immersive Storytelling Engine, which is a mechanism for engaging people in different ways with an ongoing, overarching storyline. I captured a game on the tabletop at home with some high res pictures and told you about it here.
It was frustrating to try and move the ball down the field on this with my own work given how crappy my art skills are. I knew I needed dynamic visuals, so I started playing around with some amazing software that makes it easier:
- Photoshop for image manipulation and some high level digital painting. Pixabay.com is a favorite stop for stock images to begin with (and thank you, Aaron Nace of Phlearn on Youtube!)
- Blender for 3D models, lighting effects, and scenery and backgrounds I couldn’t find or massage from existing stock photographs. Turbosquid is a favorite stop for royalty-free models to begin with (and thank you, BlenderGuru on Youtube!)
- Daz Studio for 3D models of characters (and thank you, Black Sun Comics on Youtube!)
- Substance Painter for unique textures and materials with which to paint all this.
Nov 2018: I tried a deeper storytelling experiment, which I told you about here. It was called THE BLACK RUINS MASSACRE. The idea was to let the mechanics of a tabletop game decide the narrative. Turned out great, you should go read those four posts. Also got the chance to photograph the fog machine tower on the table:
Feb 2019: By this time, I was stretching my artistic muscles a bit and shared some early images from the SALT MYSTIC world from my 2015 book, TEARING DOWN THE STATUES. While not amazing like the pictures in my head, I felt like this was making it possible to go deep on the idea of expanding the characters, technology, philosophy, and core concepts of that world in an engaging way.
Apr 2019: So this project began…the SALT MYSTIC tabletop wargame intended as a mechanism for telling stories as I had with the Black Ruins Massacre. It had some Malifaux in it, some Magic: The Gathering, some Warmachine…a little Star Wars…a lot of Dune…and some things I picked up in the ‘Tabletop Gaming’ magazine. I announced the project here. Mostly, I tried to avoid the stories and exact characters of the book and focused on enlarging everything, establishing a framework capable of supporting any type of story I might want to tell.
June 2019: Here, I was reaching out for people to help playtest the original game rules and concept cards. My idea was a bit ridiculous – I was hoping people would actually print out the cards and terrain and rulebook as pdf’s and give this a shot. Actually, loads of people responded and said they would do exactly that.
Unfortunately, I heard back from very few people on the hardcopy stuff. Kind of felt bad for the people who did because I was actively updating the art and card text, so the items they printed were in flux. But then, one crazy Scotsman chimed in and said he’d play it like crazy if he could do it ‘on-line with me mates’. He led me to Tabletop Simulator on Steam.
It wasn’t hard at all, actually, to upload the cards and terrain. They give you a template; and you just place your cards directly onto it in Photoshop, then click a few times. This was really helpful, believe it or not. You can reach a lot more avid gamers this way, most of whom are just interested in stealing some of your assets for whatever they’re doing.
But at least they stop by and give feedback after a few tries!
Sept 2019: It was September when something big happened…the first in-game story happened on its own. I wrote about it here. Basically, two brothers told as very young men that only one of them would receive an incredible prize. Only one of them. That drove the rivalry, which led to the accelerated game mechanic when they’re both on the table, sacrificing a player per minute until the brothers meet in battle.
Kind of a small thing in the overall scheme, given that I was interested in using the entire system for a big narrative. Still, the interplay of two particular cards being played driving both a story related to their backstories as well as a shifted game mechanic was hard to resist.
Just to give a sense of how the development process went, here’s another example.
The experience with the two brothers (above) got me thinking about an implied backstory in the SALT MYSTIC world…the desperate people manufacturing weaponry and vehicles to respond to innovations on the battlefield. The idea here: someone developed a ghost ship capable of phasing through the ground and essentially popping up from nowhere (like a submarine only on the land). It was devastating and unstoppable until someone devised the countermeasure: a tank that disrupts the ghost ship’s space and destroys it (if they can find it, of course).
Jan 2020: After researching a few Kickstarter suppliers, I came across an outfit called MakePlayingCards. Customer Service is responsive; and their print quality and materials are excellent. Templates are clear and easy to use, like this one for the double-deck tray box.
I went with this style box, to have two opposing factions in one package as a starter set. The bad news is the freaking box is $20 all on its own. Based on that, plus the two decks and a rule book, the price was going to be out of hand for single purchases. Anybody running a shop could buy a handful and keep their costs down; but I definitely still need to work out some more affordable options.
Up next is to set up the marketplace and make the game available as both a starter set and individual decks with their own customized tuck boxes.
Stay in touch, guys! We’re going to finish this up, then get out a short story collection and horror novel this year. That’s the plan. Then the sequel SALT MYSTIC book can start, supplemented with an expansion of this game entailing an excursion into the massive Augur Temple and its mysterious terraces of artificial space pockets.
It’s going to be fun!
Dreams are engines. Be fuel.