But sometimes I need to vent. And I need to warn you away from some potentially very irritating literary experiences. Since this is all subjective, you probably love at least one of these books and think I’m a Neanderthal for feeling otherwise. That’s cool, man. That’s cool. But these suck. Really.
Let me tell you how the highlighted suck gallery went for me, in reverse order of my irritation level.
5. Brothers Karamazov by Dostoevsky.
I periodically dip into heavier literature (and outside of science fiction or fantasy, my usual haunts) to sharpen my writing, to expose myself to the towering figures of literature and scientifically dissect what makes those books tick. It’s a great exercise, as it has been with Moby Dick, with Hemingway (all of it, man…I’ve read all of it), Dickens and Faulkner. I picked Dostoevsky as an experiment because of how highly Harlan Ellison spoke of him. This one, I went with because it seemed to offer me some nuanced character studies, piledriving into a supposedly blowout climactic event (patricide by four brothers) that resulted from those character traits, and the fallout of that event. Now, it strikes me that this setup, should that be the case as I’ve outlined in the preceding paragraph, then I could learn quite a bit about crafting plots driven by character flaws or quirks, and possibly about how to foreshadow and set ominous thundercloud mood to lead to the blowout.
That was the thought, at least. But what a cheese fart this one was! Sorry if you’re a professor who’s dedicated your life to it or whatever. But this book is super tedious, flat and uninspiring.
I admired the early chapters, with alternating introductions of the individuals and clear characterization. But it went on and on. It just went on and on and on, with nothing seeming to have any consequence. The big event wasn’t clearly foreshadowed (at least for me). There was no ominous mood as I’d expected. Not even the supposed angelic and innocent brother meant a thing in the world to me. I hated all of them. It was a chore to keep going, till I eventually wondered if they’d ever get around to knocking the old man off. So I bailed.
4. Lord Tyger by Philip Jose Farmer
If I told you there’s a book, written by the guy who dreamed up the masterwork Riverworld series, that conducts a thought experiment speculating what would actually happen should someone be raised by gorillas like Tarzan in the jungle….would you think that sounds awesome?
The idea is a British millionaire hires a couple of dwarves to raise a British aristocratic boy in the jungle like Tarzan, simulating some of the key events of Burroughs’ Tarzan books because of his love for them. And things go differently than he’d planned.
It struck me as a fascinating idea for a book, and I had some wild ideas of what might play out like the books and what would obviously go south. More curiosity than anything, I tried it. To be honest, I didn’t bail and actually finished the book. It was painful, but I made it through. What kept me going was the same curiosity of what would be done with the idea, and definitely NOT any skilled storytelling or characterization.
The lead character is overly obsessed with his penis, and it gets really monotonous and cartoon-like how many times we have to see that play out. I get it, monkeys touch themselves and maybe sleep around. I get it. But can’t we move on to something else?! It drives the plot sometimes. It’s entirely ridiculous sometimes. And it keeps coming up (no pun intended). Nobody is interesting, nothing makes sense, and I yawned through the climax. Avoid this one.
3. Magic Mountain by Thomas Mann
Not sure why, but I have a deep fascination with the psychology that led up to World War One, that kept it escalating and stagnating, and that resulted from its fallout in the couple of decades afterwards. It’s incredibly rich, picking all that apart – at large scales, understanding trends and behaviors of large groups, and also at small scales reading the biographies and journals of key figures that fought in the war. Magic Mountain by Thomas Mann struck me as a great option because it’s so highly praised, and supposedly was going to offer me a hotbed of the different moods and psychologies of people of that time, but in the setting of a health salon high in the mountains.
Reading this book feels very much like talking to a sickly aunt who won’t stop going on about the parts of her that hurt. And her cough, do I think that’s serious. And her swollen toe, should she get that looked at. And she’s so tired…
The lead figure isn’t sickly, but visits his cousin who is recuperating at a sanitarium in the Alps. And he meets people and stays, and he has breakfast and he has lunch. And he has dinner. And he tells you in detail what he ate. And no one is interesting, at least in the first fourth of the book I managed to read. You can see how little patience I have for stories that lead nowhere, for characterizations without some sizzle, and for aimlessness. This book seemed to go absolutely nowhere, and at the very point I threw it physically to the floor was at least the fifth time he was explaining what they were serving for the next meal. Avoid this one.
2. Settling The World by M. John Harrison
Nobody loves Harrison’s Viriconium series like I do! His mother wouldn’t love it like I do. It’s genius. Read that one. Please, God, read that one instead of Settling The World. In Viriconium, you get a true masterwork of mood-setting, of fascinating ideas to inspire, of interesting people, of a world you’d care to visit, and of the most maddeningly genius wording and phrasing you’ll encounter. Anybody who writes should treat Viriconium like nitroglycerine. A true brilliant white-hot piece of literature.
Much of everything else he’s written comes off as comparatively weak and confusing to me. Light is an exception, but its sequels are muddled streams of consciousness. Settling The World is a set of speculative fiction short stories. I don’t even know how to summarize it, because I can’t tell at all what’s happening in some of these tales. It’s seriously bad. Pages in, I had to ask myself if there was anything at all that was clear to me. I read a summary of a story I’d finished on the internet to see what it was about. Isn’t that funny? There are people in this world that can read jumbles of words like some of the tales in this collection and tell you what happened, even though you read the same story and saw none of that. And I saw none of the brilliant word-slinging which draws me so much to Viriconium and Light. With those books, there are moments when I’ve had to set the book down and just marvel and ponder at what I’d just read…descriptions and phrasing that pop with a life of their own and send your mind reeling.
I honestly have enough grief in my life than to read stories that I have to research afterwards to understand what happened and come off as bland as these. I set it as number two because I know what Harrison can accomplish and he fell short here.
1. War In Heaven by Charles Williams
This one made the top of the list because it presented itself as a story about the Holy Grail. I’m literally ALWAYS in for a story about the grail. I mean, this is “grailrunner”. That’s kind of…for a reason, you know? Here, we have the description from Amazon:
“Williams gives a contemporary setting to the traditional story of the Search for the Holy Grail. Examining the distinction between magic and religion, War in Heaven is an eerily disturbing book, one that graphically portrays a metaphysical journey through the shadowy crevices of the human mind.”
Williams was one of the Inklings, that little Oxford literary club that gave us J.R.R. Tolkien (Lord Of The Rings) and C.S. Lewis (Chronicles Of Narnia). If this guy hung around with those two, who could produce towering mythic works such as those, then he would potentially speak and think along the same mythic lines. I’ve written here about the power of mythic storytelling. That can change your life! And here, I’m told he’s going to potentially apply such mythic storytelling techniques to the eternal grail myth, in a contemporary setting. What on earth is NOT to like about that?!
Unfortunately, this reads like a boring, slice-of-life trip to the general store to buy a pound of flour. Even a dead body found in the opening pages is portrayed with the weight and significance of a paperweight. I got possibly a fourth of the way in before bailing. Where was my updating of mythic figures like Arthur or Merlin? Where was my ominous doomsaying warning of consequences? Where was that curious, inspirational sense of questing and seeking perfection in body and spirit that I get from classic Eschenbach or De Troyes? Where was the mystery from those original grail tales, that leave you breathlessly marveling over what the bleeding lance means, and who the maidens are in the processional carrying the mystical platter?
Nope. Just nope. Maybe it got better. I’ll never know. Pass on this one.
And that’s the roundup for this little venting session. I hope it wasn’t overly negative. I finished Gene Wolfe’s Book Of The New Sun, all four parts, for those who’d asked what I thought. Definitely worth the experience, though not one of my favorites. There’s a distinct sense of importance as you read those books, like the early seasons of Game Of Thrones, wherein every word people speak seems to have weight and grant some vague insights. Events here make far more sense after the fact, in reflection, and often what you thought happened actually played out differently than you’d thought. Yeah, there’s a place to spend your money.
Anyway, let me know what you think. And if I poo-poo’ed on one of your faves, maybe drop me a note on what you liked about these books I consider stinkers. Maybe I could feel differently and try again if you make sense.
Take care, guys. Till next time.
Dreams are engines. Be fuel.